Luminar is particularly great for beginners or those not coming from Lightroom. However, Luminar is actually a competent non-destructive RAW photo editor, too, offering all the main tools required to get images looking better. Much of the excitement surrounding Luminar has been centred around the AI photo editing features. Replacing the sky, changing facial features or body shapes, removing powerlines and dust spots, adding sun rays that wrap around foreground objects – all this can be achieved in seconds with zero prior editing experience.ĭuring my tests, I made the video below using a JPEG of the Eiffel Tower to test Luminar’s capabilities – it made the sky replacement edit in just one click, and every gap in the tower shows the new sky perfectly:Įven the latest version of Adobe Lightroom only offers one tool that takes advantage of AI in the form of image masking, which Luminar already has, too. Thankfully, it’s also a refreshingly affordable image editing software. Those who have little interest in spending hours on complicated edits in Lightroom or Photoshop will love the most recent release of Luminar ( Neo).Ĭomplex editing tasks which would normally take experienced retoucher hours in Photoshop can be performed in just one click with Luminar by a complete beginner. If you need advanced digital asset management for your image library you’ll need to look elsewhere, but for the majority of photographers, Luminar’s folders and collections will be enough to keep images organised. To top it all, it’s affordable and available to purchase outright (no subscription). It offers all the core RAW image processing tools photographers will ever need several mind-blowing AI-powered tools for editing photos that no other Lightroom alternative offers. Our new nozzle ( slice2.png) is the only nozzle we want in here.Out of all the Lightroom alternatives available this year, Luminar is still my number one recommendation. Remove the old one by selecting the nozzle preview and tapping Remove. This nozzle is suitable for a nice textured look. Go to the Texture tab and tap the Add button, found right under the Brush Nozzles’ list and select slice2.png from the provided resources. In the Dynamics section, set Accumulation to 68% Pressure. Long-press again and select Edit from the pop-up menu. Select the first duplicate in the Brushes Studio, long-press then rename it to Textured Acrylic. We’re now going to create the following brushes for our set: To start with, long-press on the Basic Acrylic brush preview in the Brushes Studio and choose Duplicate. This first brush represents our ‘master sample’ from which we’re going make more variations of brushes. In the General tab, use the following settings: Size: 128px, Flow: 14%, Accumulation: 68%, Spacing: 2%, Rotation: 25%, Wet Edges: Set Off. Import slice1.png from the DAUB-raster-brush-nozzles folder, which I have provided in the resources. Go the Studio Preferences Menu once more, and this time select New Intensity Brush. Go the Studio Preferences Menu again and rename your brush category to My Custom Acrylics. Go to the Brushes Studio and use the Studio Preferences icon and choose New Category. This will be a very versatile tool, suitable for both quick concepts and refinements, with a nice painterly look.Ĭreate a new document in Affinity Designer for iPad, this will be your testing canvas. The first brush we’re going to create is a basic acrylic brush (flat bristle acrylic brush), which smoothly releases its pigment and changes its shape depending on direction and pressure. In this tutorial, Paolo provides you with those nozzles to show his process of creating raster brushes in Affinity Designer for iPad.ĭownload raster brush nozzles 1. In his previous tutorial, Paolo showed us how to create brush nozzles from real-life media. Please turn on JavaScript to view this video Creating a basic acrylic brush in Affinity Designer for iPad.
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